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Focusing on literary works, films, and manga, Cather examines the jobs of artists, attorneys, and anxious residents in the censorship method. Her account is a timely and useful gateway into the postwar period of Japan, as well as the modern censorship issues in the nation. Self-censorship is an more and more common problem for artists and reporters in Japan, and it threatens democracy. In Hungary, for example, newshounds are afraid to ask arguable questions concerning the govt as a result of they might lose access to interviews and press conferences. Journalist Janos Karpati, a former EU correspondent, asked a question concerning the death penalty and was told that his query was not appropriate by Prime Minister Viktor Orban, and he was threatened with the loss of his job. While self-censorship among artists in Japan is not a new issue, recent cases of self-censorship in the humanities rekindled the controversy. A recent choice by the Aichi Triennale to cancel an endorsement of a set by South Korean artists depicting Japanese squaddies in Nanjing has reignited the talk. While it's critical to give protection to the liberty of expression, it also can embolden extremist aspects. In Japan, most modern art museums are publicly owned, and the MAM has been the field of protests. However, despite its arguable place in the sphere, the museum is privately owned and backed by the useful Mori family, that is a pillar of the Japanese culture. There are many purposes why artists may self-censor their work.

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