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His mother, Lydia Meyer, was of German heritage. She gave him a film camera when he was fourteen and he started to make novice films. Later, he constructed an attention in burlesque and was interested in it in order to deviate from the folklore surrounding pin-ups. Meyer was known for his irreverent method to exploitation cinema. A woman once brushed aside one of his films as "merely an outlet for her fantasies. " Meyer replied, "That's only half of it. " In that moment, Meyer perfectly captured the irreverent horndoggery and indifferent wit that was characteristic of his work. Meyer had formerly retired from filmmaking, but again to filmmaking after developing the highly successful Supervixens (1976). The film's surreal style and audacious unpredictability make it a standout among Meyer's works. The film also aspects two fantastic performances. Meyer's films began to become more specific of their sexual content.

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